June 24th, 2008 by rg sends!

I just don’t understand it, beer and milk are cheaper than gas-but I don’t drink beer anymore since my active-duty days as a U.S. Army soldier spoiled me, when I was stationed in Germany, for the taste of Hefeweizen. Milk is no different, as a kid I drank it by the gallon, but with age, as with many people, I became lactose intolerant. So I’m stuck to driving usually with an occasional Red Bull or Vitamin Water in hand and like most Americans, I just don’t understand why gas is so expensive.

I’ve heard it all, from the fact that the dollar is weak against the Euro and other currencies to the government rules and regulations that impede drilling and refining here at home, thus making us more dependant on overseas oil–yet the petroleum companies are making record-breaking, billion-dollar profits. Sadly I’m starting to look at the whole U.S. way of life as a big conspiracy by the credit card companies, the petroleum industry, the pharmaceutical companies and the financial institutions to eliminate the middle-class.

A friend of mine in Atlanta, huge in commercial real estate, told me a month ago that the residential housing foreclosures are the worst he’s seen in 50-years and that commercial real estate is next and it scares him. That scares me too. I’ve been in contact with many friends in various industries and businesses, they all agree, we are in the beginning of a recession that is not getting any better–I feel it too like most Americans. Life gets tougher, but the best thing of it all, I don’t feel Americans have lost faith in the fact it will get better-though most realize the worst is yet to come.

One thing I’ve heard before, when things are down in the economy, people tend to watch more movies and read more-I’m proof of that, as this past Sunday was the first time I went to a movie theatre in probably ten years, I think it was the most inexpensive outing I’ve done this year, and it felt good. It took me away from the shrinking middle-class conspiracy for a couple of hours and it felt great. Thank goodness the theater was not too far and I didn’t eat up in gas the price of admission, though I think the buttered popcorn was cheaper than driving there.

I do my best to make my drive times shorter now, planning more than I ever would for less gas-consuming trips, especially since I drive a 4-wheel drive truck (in Texas you drive a truck or you’ll get hit by one). I used to drive slower and longer routes just so I could consume one of my favorite, non-alcoholic drinks and now I find myself exiting my Chevy Silverado Z-71 truck with a half can of Red Bull or half a bottle of Vitamin Water instead of trash that needs disposing. Maybe that’s the bright side, the floorboard of my truck stays cleaner now. That’s it, don’t forget our troops, their families and friends, God Bless, rg sends!

June 20th, 2008 by rg sends!

Still exhausted from the Virgin Islands with only about 350 emails to answer and I’m headed to Houston for this weekend’s one-day workshop, home for a few days, then off to the Chicago Workshop next weekend. (Yes, the DVD’s are on the way, see below.) While my life is exhausting at times, it can also be exhilarating as last week I received permission, personally from Red Bull Billionaire and founder, Mr. Dietrich Mateschitz to utilize his famous Hanger-7 in Salzburg, Austria for a photo shoot.

This is rare permission that came direct from Austria.

One of the last model events held at Hangar-7 was Germany’s Next Top Model hosted by Heidi Klum, so I consider it an honor and we’re going to do it! Hangar-7 houses a restaurant, two bars, a lounge and Mateschitz’s historic Flying Bulls aircraft and more. Made almost completely of glass, the ambience is perfect for photographing models. You can see more about Hangar-7 here: http://www.hangar-7.com/#en/homepage/

While it’s generally open to the public, they do change the operating hours to accommodate private events and did I say I’m honored about this opportunity? We’re putting this together right now for early Sept., before Photokina, with some of my European sponsors.

It will be a long day today, another day without sleep and then a three-hour drive to Houston . I stayed up all night working on a proposal requested by an advertising firm for one of their top clients–can’t say much about it, but it involves a calendar, beautiful models photographed with products and the budget on this deal is amazing. The first meeting went well and I’m keeping my fingers crossed they will take my advice and sign the contracts. I might add, the client is not small, they are publicly traded on the stock exchange and they want to move forward with this just like Pirelli did in the 1960’s. I was recommended by name, and get this, by another photographer they first approached. I’ll publicly thank him later as the project is close-hold until contracts are signed–then look out!

My third book is off to the printer for proofing, soon it hits the press then the book shelves. You can read more at this link and workshops too–go here!

On those patiently waiting for the DVD, my apologies on the delays—I will be in Chicago next making sure they go out the door personally. They are coming and I hope you enjoy it is much as I did. Thanks again for your patience. While in Chicago next week we also have a two-day workshop in St. Charles, so if you want in, sign-up now, some great models and a great workshop!

On another note, look for a complete revamping of this entire website from one of the top website producing companies in the world–more on that soon!

That’s it for now, have to run to the airport to pick-up a model then off to Houston! Thanks, rg sends!

June 18th, 2008 by rg sends!

My body aches, my shoulders, nose, ears and neck are sunburned. I’m sitting in seat 3C, legs tired, lower-back in slight pain and a few bug bites, as I enjoy another plane ride home from the Virgin Islands-thanks, Alex, Kevin, Pedro, Mark, Becky, Steve, Joe, Heidi, Jimmy and all the rest of the residents in the Virgin Islands, you help make things happen-like magazine covers and book covers!

Also a special thanks to Louis, owner of one of the most popular jewelry store chains and hotels in the “VI,” you were a great host for lunch, but letting us use your thousands upon thousands of dollars worth of necklaces, bracelets, rings and earrings was very kind and I look forward in working with you again. These great accessories, from diamonds to gold, accentuated the photographs and gave us an opportunity to sway away from the traditional photos typical of the Virgin Islands-it challenged us to think about the proper way to pose a model while showcasing precious diamonds, not an easy feat if you’re used to glamour photography only.

Posing a model is similar to diamonds however, it starts rough then ends up polished to perfection, especially when a photographer understands the fundamentals of posing (as well as, of course, lighting, exposure, rapport, etc.), and realizes that models sometimes have problems getting the required pose and look. When this happens, it’s time to switch hats and work with the subject as both a coach (giving them the psychological boost in confidence they may need) and instructor (drawing on your knowledge of posing to guide them in a professional manner).

For example, during the creation of my upcoming book, Rolando Gomez’s Posing Techniques for Glamour Photography, I began working with a new model who lacked confidence in her posing abilities for the camera. A very gorgeous, vivacious, photogenic person with a true model’s figure, but during several shoots she’d grown so frustrated that she had literally decided to give up on modeling completely. I grew somewhat frustrated, too, knowing that she was loaded with talent. In fact, I’d often let her model at my workshops and every one loved her (not to mention that anywhere we’d go, men would miraculously become photographers and want to exchange phone numbers with her).

Then, on one of our shoots where she’d given up, I took a break. I went to the store and purchased an old wooden mask. When I returned to the shoot, I walked in with it on my face, looked at the model, and spoke through it in a deep, slow voice, saying, “I am the I Can Model God.” She broke out laughing-and from that point on became such a great model that she’s featured many times in my new book. She’s even on the cover!

The mask, incidentally, became her good luck charm. Tess, the model I speak of, still carries “The I Can Model God” with her to every shoot. Call it a lucky charm.

Sometimes it just takes something for a model to believe in, or someone to believe in them. A little positive reinforcement can really go a long way. Throw a diamond into the mix, then it becomes something we can cherish forever, not a memory, not a moment, not a mystery, but a commitment of faith that it can be done-and when it synergizes, then the aches, pain, sunburn and bug bites of the Virgin Islands just become the honeymoon of reality. Thanks and God Bless to everyone, rg sends!

June 7th, 2008 by rg sends!

Between travels, family and personal issues, I’m far behind and neglected this blog. I’m hoping that I’ll be able to keep up with it more. I also plan on revamping the website for an easier flow for the image galleries. Seems the move to a new server has caused issues with the gallery program. I haven’t been able to upload any new images and I also want it easier to navigate while showing you some technical data. I also want to start making it a habit to add an image on every post, so some reprogramming/html is required. Look for it soon!

Now, back to the ranch. The topic today is something I’ve covered somewhat before—friends. During these trying times these past few months I’m figuring out who my true friends are and finding out, the hard way, who isn’t. I’m not going to name them, learned a long time ago that’s a good way to make someone mad, usually because you honestly missed adding their name. I guess we all go through life figuring this out at one point or another, so I’ll focus on my true friends—and before I forget, thanks! You know who you are!

I think one my biggest milestones during these trying times is figuring out, thanks to one of those dear friends, how to focus my energy positively and how not to rob myself of precious energy. Just typing this blog provides for the rejuvenation and stress relief that I need to sustain my energy levels in a proactive and positive state.

Time to get back to work and focus positively on the future, I need to shoot (you know who you are), as that always provides positive energy and rejuvenation. Time to move forward, thanks to everyone that is truly my friend and for your advice, even when not solicited. God bless to our troops too! Thanks, rg sends!

May 1st, 2008 by rg sends!

I’ve neglected this site and other responsibilities for over a month while dealing with travels, workshops, moving, book deadlines, but more important, love, the love of close ones. 

My parents have been ill, my daughter’s house burned down in Atlanta and my best friend’s issues, all of them like a bad storm that never stops.  None of it easy, in fact, everyone including my mother are telling me I’ve lost weight, but when I look in the mirror I never saw it coming until this morning when I grabbed an old pair of jeans by mistake that fitted loosely—after examining the tag on the back thinking I grabbed a size too large, I noticed they were one waist-size-inch smaller than my normal jeans.  I guess I’ve lost weight due to mental and physical exhaustion.  No wonder my belt fastens a notch closer to the end.

Often I tell my older, private glamour clients that the extra weight they’ve gained over the years is the result of the “good life,” well what happens when you lose weight without trying?  I dunno when it comes to men, but for women, they seem to look at it as proper diet combined with exercise and welcome it like lottery winnings.  I’m looking at it as the result of life’s challenges.

Obviously there is a reason for everything and I pray that God blesses those that have affected my weight for betterment.  I pray positive results for them will follow including winning the lottery of the good life.  I pray for them.  They say after every storm is a rainbow and recently small rays of the sun seem to peer through the dark clouds, so hopefully this is a signal the rainbow is on it’s way.  My thoughts for the day, thanks, rg sends!

March 7th, 2008 by rg sends!
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Studios are often perceived as a room were musicians, painters and photographers and other artists create their art, often in a building of some type, surrounded by four walls that isolate the artist from the outdoor environment.

In the case for photographers, the ideal studio includes at least one bathroom, a make-up room, an equipment storage area, a kitchen, and in some case windows that allow ambient light to filter in. The windows would of course have the ability to be “blacked out” for controlling or eliminating ambient light, or crazy onlookers from disrupting the “set” and shoot.

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In some markets, like the celebrity market in Los Angeles, owning and running a studio is a business often not even owned by a photographer. Many pro photographers in the celebrity markets don’t even own a studio because they know certain studios cater to “celebs” and many publicists insist that their celebrity clients be photographed only in those studios for security, reputation of the studio (and sometimes studio owner), location and often just the pampering that’s required for their clients, like catering and a car wash and wax detail service. Yes even a car wash and waxing of a celebrity’s Bently is a required “perk” when photographing certain celebrity clients and certain studios can cater to those needs to ensure the photo session goes well.

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Since most professional photographers don’t get the opportunity to photograph celebrities, most professional studios in the world don’t have car wash bays much less a sushi bar, but they all tend to have one thing in common, four walls that isolate the camera room or “shooting bay.” Hence the perception that a studio has to be a building of some type with walls that provide privacy when needed in addition to the security a structure offers-but I personally disagree with this perception.

I like to define a photography studio as any location, indoors or outdoors, were a photographer is in control or can control the elements required to conduct a photo shoot successfully. After all, it’s not hard to overpower the sun with flash, even on a bright sunny day. It’s not hard to scrim off natural sunlight when it’s harsh light at the wrong time of day or location when the shoot can’t be stopped or changed. It’s not hard to use reflectors, indoors or outdoors for that matter, nor is it hard to feed a crew on location in the Virgin Islands any more than in an indoor studio in Texas.

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Personally, it’s all about control, if you can control your production and lighting, you’ll succeed and any location and what you make of it is your studio. Though weather can play havoc, for on location outdoor studios, it can do the same for the more dry, indoor types, besides, who wants their car washed and waxed on a rainy day? Thanks and don’t forget our military service members, their families and friends–God Bless! rg sends!

March 3rd, 2008 by rg sends!

Well we had another wonderful workshop in Chicago, this time at a new location in the Saint Charles area and though like most workshops a few glitches can arise when dealing with weather and other elements, this workshop was one of the best ever. Many thanks to the talent and the attendees for making a smooth operation along with Stereo and Ken and the staff at Studio 3 Productions for their help and support! As always they are great hosts.

We’re already looking at new dates for the next workshop in Chicago and soon we’ll add Dallas and a new Philadelphia date, as Philly is already sold-out. Other locations were you can still sign-up if you missed out are the Virgin Islands, Maui, McAllen (TX) and Atlanta. We’re exploring Miami, Portland, Los Angeles and more, so keep coming back to our workshop pages for dates and the ability to sign-up.

During all my travels to these workshop locations I do my best to take my laptop and keep up with emails and various websites, especially the my latest venture, ShotCritic.com, and I must say, I’m enthused with all the new registrations, almost 400 members as I write this blog article on the airplane from Chicago to Atlanta. I encourage everyone to sign-up, it’s free and the first 1,000 registered photographers get a few perks others won’t, including additional “credit points,” a point system that will entitle you to cash in on prizes, awards and more!

Well my battery is running low, have to recharge in Atlanta and then start working on the caption information of my third book that’s due out later this year on glamour posing. Stay-tuned for pre-order information, in the meantime, you can pre-order my newest 2-disc DVD, First Steps in Glamour Photography with Rolando Gomez, available later this month. Save $20 now and order here. Thanks and don’t forget our military service members, their families and friends in your prayers-God Bless! rg sends!

February 26th, 2008 by rg sends!
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I just returned from a wonderful Glamour, Beauty and the Nude workshop in Atlanta where we had some great photographer and model attendees–not to mention one of the all-time, best, make-up artists any photographer could ask for, and like all workshops, we go for the best.

Prior to the fun and exhausting workshop, I had traveled to Palm Beach for an annual, private instruction with one of my best clients of that area. After arriving there and spending the night at a beautiful Palm Beach hotel, we did our first shoot that morning in a Palm Beach courtyard, before heading off to a wonderful resort on Captiva Island. While in Captiva, we moved locations each night before I headed out to Atlanta.

While both the Atlanta workshop and the Florida private instruction were fun and educational, photography based, they both differed in many things, from location to make-up artist budget, to obviously the group size of the photographer(s) involved. My client obviously had a larger budget, hence his decision for the one-on-one training and for flying in one of the top make-up artists from New York at a day-rate some photographers dream of achieving.

For the privacy of my client, I’ll keep the MUA’s (make-up artist) and the client’s name private, but I can assure you, the New York-based make-up artist had more tearsheets and experience than most photographers achieve in a lifetime. She came highly recommended from one of the top beauty and commercial photographers of New York, a photographer who I had introduced to my client back at the annual FotoFusion event held near Palm Beach.

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Often people ask, what makes a great make-up artists and why do some, like those from New York and Los Angeles command thousands of dollars per day while others only hundreds or less per day? Well obviously the first answer is credibility, just like photography, the more credits (tearsheets, bonafide assignments, accolades, etc.) the more a creative can charge—New York and Los Angeles provide the breeding grounds for such success in credibility faster than other locations. In addition, this make-up artist from New York had paid her dues, just like the photographer of her caliber that recommended her, she had plenty of experience, she started from the bottom up too, but now she’s on top in New York.

She had gained the experience of directing, styling, and hair-styling through her career with very established publications and photographers, all an added bonus to those that hire her. Though some assignments call for separate creatives to do all the latter things, this private instruction was only limited by the passenger van we were utilizing for our driving and of course the extended-passenger golf cart on Captiva Island we rented.

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Make-up artists day-rates very, depending on their base location, obviously the more expensive markets of New York and Los Angeles command greater rates than someone from hick town, USA. My client had the ability to afford the best and so he sought the best, an attitude he developed from a prior, poor experience.

While my client is no beginner, as he’s got tearsheets in other genres of photography, I have nothing against beginners working with beginners, though I highly recommend that when you can afford to move up the chain in anything photography releated, do so, it will make you better too as you can feed off someone with more experience too.

As far as the day-rate goes for a make-up artist, it all depends on the client and what that client expects the make-up artist to accomplish. I look at my A-list of MUA’s, their actual location, talent, experience and determine who is best qualified for my client while being able to meet the budget requirements.

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I look at a the make-up artist’s can-do attitude and avoid those with an attitude. I look for nothing less and like my client, my decisions on who to hire come from my own previous experiences along with the goal(s) I’m trying to achieve. The make-up artist for our Atlanta workshop was as high-caliber as any photographer could ask for and she’s certainly on my A-list and she would’ve made my client proud just like the New York-based MUA, but obviously day-rates varied between the two.

Those variances were based on traditional working location of the MUA’s, their experience, their tearsheets, and their longevity of their established names. I can assure you, both have the talent my client and I would utilize for our needs—though like a patient looking for a heart-transplant would seek a surgeon with more years of experience and a bigger name, my client decided to go that course because of his own previous experience.

Much like photographers and models, make-up artists have to wait for that lucky break too, as the larger clients can afford to go with those at the top of their game, however, on occasion a chance is taken and a talent gets a lucky opportunity. It’s on these opportunities that those at the top of the A-list begin looking over their shoulders and others take notice and the evolution of rising to the top begins along with the ability to demand higher day-rates.

Passion and commitment will help bring that to life along with being at the right place at the right time and some elbow grease, but not everyone gets the luck and like a commodity, that’s why those at the top can afford to charge more—seems like a vicious circle doesn’t it? Well it can be for most creatives and that’s why some endure and others don’t.

Well I’m off to Chicago and we’re at a new location for our next Glamour, Beauty and the Nude workshop, so I hope to see you there, we have only one spot left! Thanks and God Bless, and remember to keep our military service members, their families and friends in your hearts and prayers, thanks, rg sends!

February 17th, 2008 by rg sends!
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I’ve lectured and taught photography to thousands of people over the past decade with over 250 workshops and seminars around the world and often people tell me, or I see it when they are shooting while “chimping” with their LCD screen, how they leave room for cropping their images to make the photo fit a matte and/or picture frame.  Obviously this is a problem more inherent to the United States, not for Europe.

My first thought is why? My second thought is you obviously have never worked with a photo editor for publication. My last thought is you probably bought your camera based on mega-pixel hype, or on the Jones’s standard, I have more mega-pixels than you.

Let’s look at the why part first. We’re a society that tends to be programmed as we grow up in life. Most of use grew up with (in inches) 11×14’s, 8×10’s, 5×7’s and the 3 1/2 x 5’s, the latter made famous by the Noritsu one-hour mini-lab explosion of the 1980’s. Though the 3 1/2×5’s graduated to 4×6’s, our problems with mandatory societal-cropping (think frames, mattes and photo albums) still didn’t end with our 35mm format cameras. Part of the non-ending I base on what I like to call, “the framing industry conspiracy theory” to sell us mattes with our frames. And to ground my theory, let’s look how it all developed, no pun intended, or the second part of obviously you’ve never worked with photo editors or editors before.
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The first 35mm format camera was invented by Leica in 1913, not Kodak, Kodak invented film and introduced the “135” for film 35mm wide in a cartridge, but the actual images size is 24mm wide (11mm’s are used for sprocket holes and spacing) by 36mm in length. It’s based on metric units, not American and British units of measurement. It’s this format that led to the words, “full-frame” and sometimes “double-frame” in relationship to the “single-frame” 35mm movie format, which is another story in itself.

Now that you know the history of 35mm (135) film, let’s look at full-frame, because it’s this term you’ll hear photo editors tell photographers often when it comes to improper cropping in the 35mm camera in conjunction to the publication of images. A full-frame image makes (in inches) 4×6’s, 5×8’s, 8×12’s, and 10×15’s, thus to fit a full-frame, printed image in a standard picture frame, a photographer would have to purchase a matte, with an opening cut to fit the full-frame image, thus the matte would then go in a larger frame-think costs to the photographer and client here.
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On the other hand, photo editors harp at photographers not to crop in the camera, or not to leave space for placing an image in a frame for several reasons. One, primarily based on the old film days, is that 35mm is so small that pre-cropping in the camera makes the useful part of the image even smaller, so when the image is enlarged, it gets grainy, or in the case of digital photography today, noise is more prominent, especially with older digital cameras. This holds even more relevance if the photo editor needs to crop your image to fit a page.

But the other main reason photo editors harp on photographers to fill the frame totally when shooting is the fact that publications don’t place images based on frame and matte sizes, they place images based on column inches and percentages–to test this theory, first, notice how a magazine or newspaper normally has more than one vertical column of text per page. Second, take a ruler and measure ten images within that publication, any ten. You’ll find various odd sizes and the chance of an image being exactly to standard framing sizes is rare. Not even the cover is a 8×10 inches, more like 8 1/2×11 inches in most cases, and the cover is one of the few cases where the original image is cropped.
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Now let’s take this one step further, or the third thought, which is most cameras are purchased on the Jone’s theory of I’ve got more mega-pixels than you. Say a photographer purchases a DSLR, digital single lens reflex camera, based on mega-pixels. And since I’m not the best in math, let’s make it simple for math’s sake even though I know there are cameras with more mega-pixels than what’s needed for publication when it comes to the 35mm DSLR’s. Let’s pretend your camera is like the Canon 5D, approximately 12-mega-pixels. Let’s pretend you haven’t read this article yet, so you do what most amateur, non-published photographers do and leave room in all your images for cropping for that old 8×10-inch frame/print standard.

Now we know that a 35mm camera, film or digital, makes an 8×12-inch print when printed full-frame. But you want an 8×10-inch print, which means you’ll cut-off 2-inches from your full-frame. So 2-inches goes into 12-inches (full-frame) six times, as 12 divided by two is six. So we agree, we’ve lost two-full inches of image, or in the case of digital, 1/6th of the original mega-pixel information. Now we take that our original 12-megapixels and divide that by 1/6th loss of the original mega-pixel information and we two again. We then take that two and subtract it from the original 12-mega-pixels and we have 10-mega-pixels-in other words, we’re actually shooting 10-, not 12-megapixels and we paid for 12!
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Confusing? Well it’s really not and I told you I wasn’t good in math, but in simple terms, when we crop in the camera while shooting for the print and frame standards society has programmed us for, we lose 1/6th of our original image which means we’ve paid to lose 1/6th of our mega-pixels. 

In all those years of teaching seminars and workshops I’ve had to explain my framing industry conspiracy theory to over half my students, so don’t feel bad if you spent $8,000 on a 24-mega-pixel camera and threw away $1,333 of your original $8,000 because of your shooting style (before you read this article).  One-sixth of 24 is 4-mega-pixels (24 divided by 6 equals 4) and you roughly paid $1,333 for each 4-mega-pixel block in your camera (8,000 divided by 6 equals 1,333).  Yes, I did 24-mega-pixels because the math is easier and the time of this writing only 21-mega-pixels was available, but hey, you only need 5-mega-pixels for standard magazine and newspaper publication and that’s another blog article as I have to run and see my ailing mother and time is running out today. God Bless, and all the best, rg sends!

February 16th, 2008 by rg sends!
For those that haven’t heard, one my workshop models, including for my exotic Virgin Islands workshops, Amy Davis, has made it to the top 24 of this season’s American Idol television show on FOX.  We need your votes for this seventh season of American Idol to help Davis progress as contestants are whittled down to the final two.

Now the fun begins as I’m being contacted by media sources to provide them with my “sexy images of Amy Davis.”  While I’ve shot hundreds of images of Davis over the past few years, including sexy ones, I’ve never released but a handful of images and I can assure you, they are all first-class images. Both Davis, and her sister Ashlee have modeled for me for sometime, in fact, Davis is in my second book, Rolando Gomez’s Glamour Photography Professional Techniques and Images, that recently came out in 2007.  She’s also in my upcoming book on posing to be released later this year.

This is not the first time a model from my workshops has gained famed, though short-lived and controversial, April Florio, who did two Philadelphia workshops was involved in a controversy with Brad Pitt,  right before Pitt and Jennifer Aniston split.  Both Pitt and Floria denied the story originally sparked by In Touch magazine.  But unlike Florio, Davis’s rags to Hollywood story is real and not controversial like Florio’s.  

Davis has a captivating voice and I still remember the first time we met during a private photography instruction to a wealthy couple.  Davis showed up with her guitar and as I taught my clients photography, I asked Davis if she could play Jimmy Buffet’s Brown-Eyed Girl.  Though initially shy about singing the song, she player her acoustic guitar and began to sing for us.  When we all heard her amazing voice accompanied by her guitar talents, we forgot about the photography instruction and became speechless. 

I told her that day in Michigan that she should capitalize on her photogenic beauty combined with her amazing voice.  I was emphatic on why there was no reason she should not be on a record label at that time.  We had a long conversation about why she hadn’t progressed in her signing career and in my conversations I can tell you, Davis has confidence and most important, faith.  
 
I was so impressed that I invited Davis to model for my Chicago and Virgin Islands workshop, and at all the workshops she’s done for me I always required her to bring her guitar and sing for everyone–which she politely always did, leaving everyone speechless in the process.
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Davis is a conservative model who always gives 110-percent into all she does, modeling or singing. She’s the sweetest person you’ll ever meet with a young, Kathy Ireland, photogenic look and appeal. Once while in the Virgin Islands we did our “all you can eat pizza on Friday night” at Pirate’s Ridge, a local eatery on Water-Island during their karaoke night.  We convinced Davis to go on the make-shift stage and when she did, between her beauty and her voice, while never looking at the karaoke monitor,  as she began to sing she left our group and the local crowd speechless–by the end of her first song everyone was ready to purpose to her.
 
The irony of it all, Pitt filmed parts of his newest movie last year, The Curious Case of Benjamin Button, at Water-Island and the Honeymoon Beach area where we convinced Davis to sing during the July 2007 Virgin Islands workshop on our eat-at-the-beach, steak night dinner, provided by Heidi’s Honeymoon Grill.  Davis teamed up that night with other acoustic guitar player’s including Heidi’s brother to sing to all the locals and our group, again she became the star of the small island off St. Thomas that night.  Perhaps the folks at Water-Island can someday say not only did Brad Pitt stand on Honeymoon Beach, but so did Amy Davis who earned her fame on American Idol

Davis, along with her sexy beauty, brings passion to her modeling but even more to her first-love, singing.  You can watch as she closes her eyes while singing how passionate she is about her love for music. In fact, in the last Virgin Islands workshop she even brought a song-list and sang and played her guitar every night at dinner for our group of models and photographers. She’s always kept me abreast about her trials and tribulations including when she made it to the second round of NBC’S Nashville Star last year.
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For those that know Davis personally, she’s sweet, wholesome, photogenic and very down-to-earth.  One of the most sweetest person’s you’ll ever meet that loves life and making people smile with her musical and voice talents.  She’s confident in her singing and hopefully her experience last year with the Nashville Star show will give her an edge with American Idol this year.
 
I wish her well and now it’s time to tune into FOX television as part of the American Idol show anchors on the television audience calling in and voting on their favorite singers, starting February 19th.  Please do your part in supporting Davis by watching the show then watching for the four-digit code that will be assigned to Davis–the girls voting starts on Wednesday–and only enter the word VOTE in your text message to the four-digit code!  You’ll have approximately two hours to place your vote that night, so please do your part and help Davis, she deserves it! 
 


I’ll do my best to keep you posted on her success in case you miss the American Idol show, as I have a busy travel schedule, but I can assure you, Davis has beauty but more important the musical voice and talent to play musical instruments that will leave you speechless and in awe.  She deserves to win on American Idol and move on further with her singing career.  God bless Davis, her family and friends, thanks, rg sends!      (for more Amy Davis images please visit my album on her, under albums, here, www.shotcritic.com )